In the previous post, we took care of the difficult part of this song with the complete and exclusive guitar tabs of this song. If you made it through the complete tab, I salute you. Now that the difficult part is over, let’s get to the relatively simpler endeavor with this ultimate guitar chords for Euta Chitthi by the Axe Band. Are you ready?
Ultimate Guitar Chords for Euta Chitthi by the Axe Band
Once upon a time (and maybe still today) this song rocked the Young Generation of Nepal, and Nepalese abroad. The main reason… the Guitar part is just tooooo awesome. Sarad (the Guitarist) rocks. Remember the MV of the song where the band did it from some balcony with the crowd on the streets. Those were some good ol’ days. In fact, this is one of the first guitar lesson I made back when I was just getting started with blogging. So here we go, ladies and gentlemen, the complete and exclusive guitar tabs and chords for Euta Chithhi by The Axe Band.
Guitar Tabs and Chords for Euta Chithhi by The Axe Band
Yeuta chitthi ko sahara le timro mann jittna chahann-na ma —-2 Maya kagaz ma hunn-na ni Yo dui aatma ko meela ho —2
D chord solo beat Tesai le timilaiiiiiii…………………….
Rhythm
Em E||---7--------------------- B||---8--------------------- G||---9----------6h7p6------ D||---9 -------------------- A||------------------------- E||-------------------------
Brake lead
T T T T T T T T T T T T T T T T T T T T T T T T T T T E||-------------------------------------------------------------------------- B||-------------------------------------------------------------------------- G||-------------------------------------------------------------------------- D||-------------------------5h-7h-5h-7h-5h-7h-5h-7~-------------------------5 A||--5h-7h-5h-7h-5h-7h-5h-7--------------------------5h-7h-5h-7h-5h-7h-5h-7-- E||--------------------------------------------------------------------------
T T T T T T T T T T T T T T T T T T T T T T T T T T T T
-----------------------------------------------------------------------------
-----------------------------------------------------------------------------
-----------------------------------------------------------------------------
--5h-7~----------------------------5h-7h-5h-7h-5h-7h-5h-7~-------------------
------------5h-7h-5h-7h-5h-7h-5h-7--------------------------5h-7h-5h-7h-5h-7h
-----------------------------------------------------------------------------
T T T T T T T T T T T T T T T T T T T T T T T T T T T
-----------------------------------------------------------------------------
-----------------------------------------------------------------------------
-----------------------------------------------------------------------------
--5h-7h-7h-9h-7h-9h~-5h-7h-5h-7-------------------------5h-7h-5h-7h-5h-7h-5h-
---------------------------------5h-7h-5h-7h-5h-7h-5h-7----------------------
-----------------------------------------------------------------------------
T T T T T T T T T T T T T T T T T T T T T T T T T T T T
-----------------------------------------------------------------------------
-----------------------------------------------------------------------------
-----------------------------------------------------------------------------
-------------------5h-7h-5h-7h-5h-7h-5h-7~-------------------------5h-7h-5h-7
--5h-7h-5h-7h-5h-7--------------------------5h-7h-5h-7h-5h-7h-5h-7-----------
-----------------------------------------------------------------------------
End of brake
T T h h h h h h h h h E E E ------------------------------------| ------------------------------------| -----------7------7------7----------| ------7h-9---7h-9---7h-9------------| ------------------------------------| ------------------------------------|
Lead [with Wah-wah peadal ]
h h h h h h h h h h h h h h h h
----------------------------------------------------|
-------8s-10-10s-12-(12)-10--8--10--12--10--8-------|
--7s-9----------------------------------------------|
----------------------------------------------------|
----------------------------------------------------|
----------------------------------------------------|
h h h h h h h h h h h h
------------------------------------||
-------6s-8-8s-10-8--7--7--8--7-----||
--7s-9---------------------------\9-||
------------------------------------||
------------------------------------||
------------------------------------||
That’s it! If you think it needs any correction, feel free to comment. Till then, keep rocking!
If you are one of us who grew up listening to legends like Eminem and Jay-Z, you and I both know that we had the best childhood. Correct me if I am wrong, but Renegade by Eminem and Jay-Z is the only song where the legends collaborated to create a rare history in the rap universe. It’s like Linking the Myths.
Unlike all those mass produced Techno, Auto-tuned, and AI-generated songs today, Eminem and Jay-Z with band would still kill ‘em all with this one song. No wonder, “Renegade” is destined to be eternal.
Jay-Z and Eminem! You know who’s who!
Back then when this song was originally recorded, Eminem and Jay-Z must have been great friends. But as the public started to compare them on their music styles, it kinda seems growing sour, I guess. Music Industry needs more songs like “Renegade”. We hope to see and hear the legends performing on the same stage once again.
Guitar Tabs and Chords for Renegade by Eminem and Jay-Z
The song is played on C#m scale, I suppose. That makes it pretty easy to work out. The possible chords (Bolded chords are sure shot) for this song are:
Sure-shot chords: C#m D# F#m G#m (Give ‘em a try tooJ) A B D#dim
And know this… you can’t find the Guitar Tabs and Chords for ‘Renegade’ anywhere else in the Google Search. Trust me… I already tried that. If you find any, that must be the derivative of what you find here. So, I thought I will do it myself. And here I am, here you are, and here it is! Share as much as you can… Don’t be selfish!
Voice Synth (I guess that’s what they call it… Nevermind) somewhere during the Melody and Beats… Listen to the Song for placement, like some Opera House Chorus.
This pretty much does a good job for the song “Renegade”. I am sure you found it useful.
The Lyrics goes as follows. That’s some dope!
“Renegade” (Eminem feat. Jay-Z)
[Jay-Z:] Motherfuckers say that I’m foolish, I only talk about jewels (Bling bling) Do you fools listen to music or do you just skim through it? See, I’m influenced by the ghetto you ruined The same dude you gave nothin’, I made somethin’ doin’ What I do, through and through and I give you the news with a twist, it’s just his ghetto point of view The renegade, you been afraid I penetrate pop culture Bring ’em a lot closer to the block where they pop toasters And they live with they moms, got dropped roadsters From botched robberies, niggas crouched over Mami’s knocked up ’cause she wasn’t watched over Knocked down by some clown when child support knocked “No, he’s not around.” Now, how that sound to ya? Jot it down I bring you through the ghetto without ridin’ round Hidin’ down, duckin’ strays from frustrated youths stuck in they ways Just read a magazine that fucked up my day How you rate music that thugs with nothin’ relate to it? I help them see they way through it—not you Can’t step in my pants, can’t walk in my shoes Bet everything you worth, you’ll lose your tie and your shirt
[Eminem:] Since I’m in a position to talk to these kids and they listen I ain’t no politician, but I’ll kick it with ’em a minute ‘Cause, see, they call me a menace and if the shoe fits, I’ll wear it But if it don’t, then y’all will swallow the truth, grin and bear it Now who’s the king of these rude, ludicrous, lucrative lyrics? Who could inherit the title, put the youth in hysterics Usin’ his music to steer it, sharin’ his views and his merits? But there’s a huge interference, they’re sayin’ you shouldn’t hear it Maybe it’s hatred I spew, maybe it’s food for the spirit Maybe it’s beautiful music I made for you to just cherish But I’m debated, disputed, hated and viewed in America As a motherfuckin’ drug addict, like you didn’t experiment? Nah, nah!—That’s when you start to stare at who’s in the mirror And see yourself as a kid again, and you get embarrassed And I got nothin’ to do but make you look stupid as parents You fuckin’ do-gooders, too bad you couldn’t do good at marriage (Ha-ha!) And do you have any clue what I had to do to get here? I don’t think you do, so stay tuned and keep your ears glued to the stereo ‘Cause here we go, he’s Jigga-Jur-Jigga-Jih-Jigga And I’m the sinister Mr. Kiss-My-Ass is just a—
[Eminem (Jay-Z):] —renegade! Never been afraid to say What’s on my mind at any given time of day ‘Cause I’m a renegade! Never been afraid to talk about anything (Anything?) Anything! (Anything) Renegade! (Never been afraid to say) (What’s on my mind at any given time of day) (‘Cause I’m a) renegade! (Never been afraid to holler about anything) Anything? (Anything) Anything!
[Jay-Z:] I had to hustle, my back to the wall, ashy knuckles Pockets filled with a lotta lint, not a cent Gotta vent, lotta innocent lives lost on the project bench What you hollerin’? Gotta pay rent, bring dollars in By the bodega, iron under my coat Feelin’ braver, durag wrappin’ my waves up, pockets full of hope Do not step to me, I’m awkward, I box lefty An orphan my pops left me and often my momma wasn’t home Could not stress to me, I wasn’t grown ‘Specially on nights I brought somethin’ home to quiet the stomach rumblings My demeanor, thirty years my senior My childhood didn’t mean much, only raisin’ green up Raisin’ my fingers to critics, raisin’ my head to the sky Big, I did it, multi before I die No lie, just know I chose my own fate I drove by the fork in the road and went straight
[Eminem:] See, I’m a poet to some, a regular modern-day Shakespeare Jesus Christ, the king of these Latter-day Saints here To shatter the picture in which of that as they paint me as A monger of hate, satanist, scatter-brained atheist But that ain’t the case, see, it’s a matter of taste We as a people decide if Shady’s as bad as they say he is Or is he the latter, a gateway to escape? Media scapegoat who they can be mad at today See, it’s as easy as cake, simple as whistlin’ “Dixie” While I’m wavin’ the pistol at sixty Christians against me Go to war with the Mormons, take a bath with the Catholics In holy water, no wonder they tried to hold me under longer I’m a motherfuckin’ spiteful, delightful eyeful The new Ice Cube, motherfuckers hate to like you What did I do? (Huh?) I’m just a kid from the gutter Makin’ his butter off these bloodsuckers, ’cause I’m a muh’fuckin’—
[Eminem (Jay-Z):] —renegade! Never been afraid to say What’s on my mind at any given time of day ‘Cause I’m a renegade! Never been afraid to talk about anything (Anything?) Anything! (Anything) Renegade! (Never been afraid to say) (What’s on my mind at any given time of day) (‘Cause I’m a) renegade! (Never been afraid to holler about anything) Anything? (Anything) Anything!
Renegade! Never been afraid to say What’s on my mind at any given time of day ‘Cause I’m a renegade! Never been afraid to talk about anything (Anything?) Anything! (Anything) Renegade! (Never been afraid to say) (What’s on my mind at any given time of day) (‘Cause I’m a) renegade! (Never been afraid to holler about anything) Anything? (Anything) Anything!
If you got anything to improve in the given tab, fell free to hit me up. Feedback appreciated! Till then… Rap on!
The song “Machhi Marna Jauna Dajai Kalapani Ma” is the rare legendary masterpiece in Nepal that’s so deep, plus emotions and thoughts provoking which calls for every Nepalese to stand up for their country. The words are so metaphorical and meaningful which resonates directly with the patriotism. After you go through the lyric, just imagine, how our country will be if this song’s essence is embedded in our National Policy. Just Imagine That…!
For now, let’s learn to play this song on Guitar.
Here’s the ultimate guitar chords and lyrics for the song. Fill your heart with patriotism!
Let’s rock!
Guitar Chords and Lyrics for “Machhi Marna Jauna Dajai Kalapani Ma”
They are back again, and this time with “Jungle Ko Bhoot” (literally about a ghost). They didn’t disappoint us the last time with Vim Saboon (literally a dishwashing soap). If you thought that was enough, they dropped this horror/comedy rap song on March 26 that’s currently #2 on Trending for music. No one could have done it better than Nawaj Ansari & Jhapali$H… the greatest duo of all time. Change my mind!
To be honest, I was “afraid” to watch the song “Jungle Ko Bhoot” right after it was released because of the title. It was a relief when I knew that there was no video (I’d love to see the official MV though). Once I played the song, I stopped listening to other content on YouTube. I am hooked to “Jungle Ko Bhoot” as if some supernatural force has possessed over my soul. Don’t be surprised if the song hits the #1 on Trending. It deserves that place.
On my 101st loop of “Jungle Ko Bhoot”, I had this sense of enlightenment. If you are one of us 90s kids who grew up listening to Eminem and Snoop Dogg, you must have watched “Scary Movie“. To those who don’t like watching scary movies, “Scary Movie” is a must-watch. And if you don’t know what “Scary Movie” is, I feel sorry for your childhood.
Ok. Back to Jungle Ko Bhoot. I had this revelation, as if sent from the underworld, that the vibe from Jungle Ko Bhoot is similar or even better than the one I used to get from watching “Scary Movie”. It has already been a decade since there has been no addition after the 5th series of the parody movie. In fact, I had already started to forget about the Scary Movie. But thanks to Nawaj Ansari & Jhapali$H’s Jungle Ko Bhoot, they brought back childhood memories.
Jungle Ko Bhoot is so good that if the Scary Movie franchise ever wants to add the next movie to its series, it should definitely reach out to this duo. I am sure Nawaj Ansari and Jhapali$H can come up with uncountable scary yet funny ideas that can kill the audience from laughter. Who said laughter never killed anybody? That’s because you haven’t got enough dose of dope verses from the duo. Get ready to ROFL.
Nawaj Ansari and Jhapali$H
I have written many posts on Nawaj Ansari. I feel proud that Nawaj and I used to share the same stage back in our college days. We did Linkin Park, Eminem, Li’l Wayne, Snoop Dogg, Wiz Khalifa, and what not. No, I am not a rapper. I am just a guitarist.
Let me write a few words on Jhapali$H. I used to watch his videos on YouTube when I needed a dose of laughter any time of the day and believe me, he never disappointed me. I was surprised to hear him collaborating with Nawaj on Vim Saboon. His verses and flow are unique and natural that perfectly syncs with the Nawaj’s vibe.
Needless to say, Nawaj has collaborated with several artists to date, but this duo with Jhapali$H is probably the most underrated yet highly deserving of all time. And this is just the beginning. I can’t wait to see what they have in store for us.
Final Words
I could write an encyclopedia on Nawaj and Jhapali$H, but let’s procrastinate on that for now. I didn’t want the song to finish at all. I wish Nawaj and Jhapali$H went on adding one after another dope verses until the Bhoot gave up. Imagine yourself being in the character of the song. It’s like you are one of those funny characters from Scary Movie.
Jungle Ko Bhoot is a song that deserves billions of views. It’s not just another song that talks about love or relationship and that kind of sh*t. Let’s man up and face your inner ghost. Or face the Jungle Ko Bhoot the way the duo did.
A word of advice to the parents: If you want your kids to get rid of the fear of ghosts and spirits, you’d better get them to listen to Jungle Ko Bhoot before it’s too late. Thanks to Nawaj Ansari and Jhapali$H.
If you don’t know about Atomic Bush and Sano Prakash, no offense, but I need you to close this page. My best guess is that you landed on this page from the Google Search on “Guitar solo/lead for Sano Prakash by Atomic Bush”. Another guess is that you found this site on the top five search results. And boys and girls, that’s how we met!
Atomic Bush
“Sano Prakash” is the legendary song by the legendary Nepali rock band Atomic Bush back in 2005. Though the band took a break for almost 18 years, rumor has it that they are getting back together. Check out the story here.
Read the story? Now let’s get down to the business. Do you have your guitar ready?
The guitar solo is a bit difficult to play. Of course, it’s Atomic Bush. What were you expecting?
E E E E E E E E E E E E E E E E ---------------------------|------------------------| ---------------------------|------------------------| --6s--4--4--4--4--6--------|------------------------| ------------------------4--|--6--------2--4----4br--| ---------------------------|------------------------| ---------------------------|------------------------|
E E S S S S S S S S S S S S --------------------------------------| --------------------------------------| --------------------------------------| ----2---------------------------------| --------4p-2------/4--2------------/4-| -------------4p-2--------4p-2-4p-2----|
S S S S S S S S S S S S S S S S --------------------------------------------| --------------------------------------------| --------------------------------------------| --------------------------------------------| ---\------------------------9---9h-11---11h-| ---------------/9-9h-11h-12-----------------|
|--3--| S S S S S S S S S S S S S S S S S -------------------------------------------------------------| -------------------------------------------------------------| ----------------------------------------13h---14-16s---14-13-| ------------11h-13h-14-11g13-14-16-16------------------------| --12h-14-14--------------------------------------------------| -------------------------------------------------------------|
|---3--| |---3---| |---3---| |---3---| |---3---| |---3---| S S S S S S S S S S S S S S S S S S S S S -------------------------------------------------------------------------------- ---------14h-17p-16p-14h-16h-17h-19------15p-14p-12----------------------------- --14h-16----------------------------------------------14p-13p-11----11---------- -----------------------------------------------------------------14----13h-14p-1 -------------------------------------------------------------------------------- --------------------------------------------------------------------------------
S S S S S S S S S S S S S S S S --------------------------------------------------| -----------------------------------/17-----17-----| --------------------------------------------------| --11----------------------------------------------| -----14-12-11s-10s-12--\--------------------------| --------------------------------------------------|
|-----5-----| S S S S S S E S T T T T T S T T S S S ----------------------------------------14--------------| --17s---16-16---16-----------------16-------------------| --------------------------------16----------------------| -----------------------------16----------------14-13-14-| --------------------------14----------------------------| --------------------------------------------------------|
|---3---| S S E E E S S S S S S S S S -------------------------------------------| -------------------------------------------| -------------------------------------------| --13-13------------------------------------| --------14---------------------------------| ------------14--12--------11h-12h-14-------|
|---3---| |-------7-------| 7 7 ---- 5 5 5 5 ---- |---3--| |---3
S S S S S S S S S S S S S S S S S S S S S -------------------------------------------------------------------------------- -------------------------------------------------------------------------------- -------------------------------------------------------------------------------- ----------------------------------------11h-13h-14p-13p-11-13h-14h-16-13h-14h-16
-------------11h-12h-14p-12p-11h-12h-14-----------------------------------------
--11h-12h-14--------------------------------------------------------------------
|---3---| |---3---| |---3---| |---3---| |---3---| |---3---| |---3---|
S S S S S S S S S S S S S S S S S S S S S -------------------------------------------------------------------------------1
-------------14h-15h-17-14h-15h-17-19p-17p-16-19p-17p-16-16h-17h-19-21p-19p-17--
--13h-14h-16-------------------------------------------------------------------- -------------------------------------------------------------------------------- -------------------------------------------------------------------------------- --------------------------------------------------------------------------------
Q E E E E E E E E E E E E E E
---------21-----------19--------|------19------17------16--16--16---|
--------------19s--17------17s--|--16------16------16---------------| --------------------------------|-----------------------------------| --------------------------------|-----------------------------------| --------------------------------|-----------------------------------| --------------------------------|-----------------------------------|
E E E E E E E E E E E E E E E E --------------------------------------|--------------------------------| ------17S--16--16S--12S--14--12s--14--|--7s--9s--5s--7s--5----12b------| --16----------------------------------|--------------------------------| --------------------------------------|--------------------------------| --------------------------------------|--------------------------------| --------------------------------------|--------------------------------|
|---3--| E E E E E E S S S S S S E E S S E S S S S E E -----------9---------12b--9-----------|----------------------------------| ----------12--9--------------12-9-----|----------------------------------| ----------------------------------11b-|------9-11b---9-11-9-11b----------| --------------------------------------|----------------------------------| --------------------------------------|----------------------------------| --------------------------------------|----------------------------------|
S S S S S S S S S S S S S S S S S S S S E E E E E E --------------------------------------------|------------------------------| --------------------------------------------|------------------------------| --11b---9-----------------------------------|------------------------------| ------------11-9----------------------------|--------------4-----6-----4s--| -----------------11s-9p-7h-9-<>9b-----------|-----------4------------------| --------------------------------------9-7---|---\--------------------------|
Q Q E E E E E E E E E E E E -------------------------|--------------------------| -------------------------|--------------------------| -------------------------|--------------6-----6-----| --6----------4--6--6s----|--7----4------------------| -------------------------|--------------------------| -------------------------|--------------------------|
E E E E E E E E E E E E E E E E ------------------------------|-----------------------------------| ------------------------------|-----------------------------------| ------8-----8br---------------|------8s--9h--11--11brb~-----------| ----------------------11--9h--|--11-------------------------------| ------------------------------|-----------------------------------| ------------------------------|-----------------------------------|
S S S S S S S S E E E E E E E E E E E S S -------------------------------|------------------------------| ------------------9-----12-----|--9-----10--------------------| ------------9-----9------------|-----9---------8------8--9h---| -------------------------------|------------------11----------| -------------------------------|------------------------------| -------------------------------|------------------------------|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S E E -----------------------------------------|-------------------------------------| -----------------------------------------|-------------------------------------| --8p-6-4---------------------------------|-------4-----------------------------|
---------6-4br--(4)--2--------------2h---|--4h-6---6p-4p-2-4b----2-------------| -------------------------4-2---2h-4------|----------------------------4-2--2s--| -----------------------------------------|-------------------------------------|
If you are one of the selected human beings who are on Twitter, you must have woken up today to a new world. After acquiring Twitter on 14 April 2022, Elon Musk launched yet another bomb on the age of internet by redefining the identity of this popular micro-blogging site with his all time famous Doge Meme. It’s Elon Musk, and he just doesn’t do something like this just for amusing himself. So, what’s the true story behind Twitter’s new logo? Let’s find out.
Twitter’s New Logo: A Dog, Shiba Inu
We have seen it millions time before on memes and we love it. It’s our Shiba Inu from Doge memes viral all over the internet. It’s the official logo of the cryptocurrency Dogecoin that is now owned by Elon Musk’s Tesla.
Please note that the Doge logo is visible only on Twitter’s web version. Elon Musk’s boys are still working on mutating the blue bird into the Shiba Inu. It’s just a matter of time before Shiba takes over the world. It’s just the beginning.
The Story Behind Twitter’s New Doge Logo
t’s April 4, and it’s certainly not April Fool’s day. Many are wondering if this logo change is just a delayed April Fool’s prank in the world of internet.
We have to wait and watch to know the answer. It might be a permanent change to the Twitter’s blue bird logo. Who knows? Not even the God knows!
Elon Musk is a man of his words. To answer the speculations and have a little fun, he has shared a conversation where a user suggested Musk that he buy Twitter and change the logo to Doge. Voila! Here it is. He kept his word. As promised!
But on a more serious note, Elon Musk is currently facing a $258 billion Dogecoin lawsuit. Is it just a coincidence?
Dogecoin Skyrockets
Following the logo change of Twitter, the Dogecoin’s value has skyrocketed by nearly 30%. Is it a golden touch to the cryptocurrency? Everything Elon Musk does makes a significant difference in the world (as well as in the outer space!). He is a genius!
Final Words
Regardless of whether the logo change of twitter is permanent or just a prank, the point is, we all are having fun with Shiba. I really hope that the new logo stays. The blue bird has done its time. Now it’s time for the mankind’s most loyal friend: The Dog(e)!
Monkey Temple has set the bar high already in Nepalese Music. Thanks and congratulations to all the Band members, which became the first ever Nepalese Music Band to be featured on MTV India…Now talking specially about this particular song “Anumati” (अनुमती), it became a massive hit. “Anumati” from the Album “Shades of Grey” became the first Nepalese song/music video to be featured on MTV India.
The members of Monkey Temple Band are: Sareen Deoja (Vocal); Prawol Bhattarai (Guitar/vocal/back vocal); Srijan Bikram Gewali (Guitar); Samrat Shah (Bass) and Pratap Risal (Drums).
Our Guitar Maestro once again has done the impossible… The song “Anumati” by Monkey Temple has been fully worked and tabbed out by Aashik Shrestha, including the amazing Guitar Lead portion and the subsequent Guitar Break with Echo. What are you waiting for…??? GO ahead and get working on your fretboards… Learn to play this song “Anumati” accurately.
Let me know when you master it… The song is a masterpiece… Kudos to Sareen Deoja and all the members of Monkey Temple.
Guitar Tuning: Dropped D [D-A-D-G-B-E] This tab is worked out for two guitars. So get a couple of guitars.
Song Starts with the Intro Riff.
Intro: Guitar I
Repeat *2
PM PM PM PM ^ PM PM PM PM ^ S S S S H E. S S S S S H E. S E||----------------0--------L-----|---------------0--------L-----| B||----------------0--------L-----|---------------0--------L-----| G||*---------------0--------L---0-|---------------0--------L---0-| D||*--12-12-12-12-12--------L---0-|--12-12-12-12-12--------L---0-| A||---10-10-10-10-10--------L-----|---9--9--9--9--9--------L-----| D||---10-10-10-10-10--------L-----|---9--9--9--9--9--------L-----|
Melodic Riff: Guitar I
Repeat *2
PM PM PM PM PM PM PM PM PM PM S S S S S S S S S S S S S S S S ||--------------------------------------------| ||----------------5-------8-------5-----------| ||--------7-------------------------------7---| ||--5--5----5--5----5--5----5--5----5--5----5-| ||--------------------------------------------| ||--------------------------------------------|
PM PM PM PM PM PM PM PM S S S S S S S S S S S S S S S S ------------------------------------------| ----------------5------7------5-----------| --------7---------7------7------7----7----| --4--4----4--4------4------4------4----4--| ------------------------------------------| ------------------------------------------|
PM PM PM PM PM PM PM PM PM PM S S S S S S S S S S S S S S S S --------------------------------------------| ----------------5-------8-------5-----------| --------7-------------------------------7---| --5--5----5--5----5--5----5--5----5--5----5-| --------------------------------------------| --------------------------------------------|
PM PM PM PM PM PM PM S S S S S S S S S S S S S S S S -----------------------------------------| ----------------5------7------5----------| --------7---------7------7------7----7-7-| --4--4----4--4------4------4------4------| -----------------------------------------| -----------------------------------------|
Melodic Riff: Backing Guitar II
Guitar II plays with above Melodic Riff
E S Q E. E. E S E S Q E. E. E S E||----------------------------|-------------7-------------| B||--------------8-------------|-----------------7---------| G||------7h-9--------9---7-----|-----7h-9------------7-----| D||--10------------------------|---------------------------| A||--10---------------------10-|--9---------------------10-| D||----------------------------|---------------------------|
E S Q E. E. E S E S Q E. E. E S ----------------------------|--------------------------| --------------8-------------|-------------7-------7----| ------7h-9--------9---7-----|-----7h-9----7---7------7-| --10------------------------|--------------------------| --10---------------------10-|--9-----------------------| ----------------------------|--------------------------|
E S Q E. S E E. E S Q E. E. E S -----------------------------|-------------7------------| --------------8---8--10--8---|-------------7-------7----| ------7h-9--------7s--9--7---|-----7h-9--------7--------| --10-------------------------|------------------------7-| --10-------------------------|--9-----------------------| -----------------------------|--------------------------|
E S Q E. E. E S E S Q E. E. E S ----------------------------|-------------7------------|| --------------8-------------|-------------7------------|| ------7h-9--------9---7-----|-----7h-9--------7---4----|| --10------------------------|------------------------7-|| --10---------------------10-|--9-----------------------|| ----------------------------|--------------------------||
Pre-verse Riff: Guitar I
Repeat *2
PM PM PM PM ^ PM PM PM PM ^ S S S S H E. S S S S S H E. S E||----------------0--------L-----|---------------0--------L-----| B||----------------0--------L-----|---------------0--------L-----| G||*---------------0--------L---0-|---------------0--------L---0-| D||*--12-12-12-12-12--------L---0-|--12-12-12-12-12--------L---0-| A||---10-10-10-10-10--------L-----|---9--9--9--9--9--------L-----| D||---10-10-10-10-10--------L-----|---9--9--9--9--9--------L-----|
Verse I: Guitar II (Take note of Bass Part… Important!!!)
Samaya yedi
S S S S S S S S S S S S S S S ------------------------------------------------ -----12-------12-------12-------12-------12----- --------12-------12-------12-------12---------12 --10-------10-------10-------10-------10-------- ------------------------------------------------ ------------------------------------------------
achal bhaidiye kebal
S S S S S S S S S S S S S S S S --------------------------------------------------------------| --------12-------------12-------12-------12----------12-------| -----------12-------------12-------12-------12----------12----| --10----------10-------------10-------10-------10----------10-| --------------------------------------------------------------| --------------------------------------------------------------|
avaash ko laagi mero
S S S S S S S S S S S S S S S S -----------------------------------------------------------| ---------12-------12----------12-------13---------12-------| ------------12-------12----------12-------12---------12----| --10-----------10-------10----------10-------10---------10-| -----------------------------------------------------------| -----------------------------------------------------------|
Trisana
S S S S S S S S S S S S S S S S -------------------------------------------------------| ----------12-------12-------12-------13-------12-------| -------------12-------12-------12-------12-------12----| --10------------10-------10-------10-------10-------10-| -------------------------------------------------------| -------------------------------------------------------|
Sawroop Ajhai
S S S S S S S S S S S S S S S S ------------------------------------------------------------------| ---------------------12-------12-------12-------12-------12-------| ------------------------12-------12-------12-------12-------12----| --10-----------------------10-------10-------10-------10-------10-| ------------------------------------------------------------------| ------------------------------------------------------------------|
Man ma chha mero…… Haaso
S S S S S S S S S S S S S S S S --------------------------------------------------| -----12-------12-------12-------12-------12-------| --------12-------12-------12-------12-------12----| --10-------10-------10-------10-------10-------10-| --------------------------------------------------| --------------------------------------------------|
Mutu ma chha Mero…
S S S S S S S S S S S S S S S S --------------------------------------------------| -----12-------12-------12-------13-------12-------| --------12-------12-------12-------12-------12----| --10-------10-------10-------10-------10-------10-| --------------------------------------------------| --------------------------------------------------|
S S S S S S S S S S S S S S S S --------------------------------------------------|| -----12-------12-------12-------13-------12-------|| --------12-------12-------12-------12-------12----|| --10-------10-------10-------10-------10-------10-|| --------------------------------------------------|| --------------------------------------------------||
Chorus I: Guitar I
Repeat *2
Ke uttar chha timi sita jaba Oo stabda hunchha… bhanana
E. E E S E. E E S W W ||------------------------------|-------------------|-------------------| ||------------------------------|-------------------|-------------------| ||--------------12--------------|-------------------|-------------------| ||--12------12----------------9-|--8----------------|--7----------------| ||--10---9---------10------9----|--8----------------|--7----------------| ||-----------------10---9-------|--8----------------|--7----------------|
S S S S S S S S S S S S S S S S -----------------------------------------------| -----------------------------------------------| --x-12-12-12-x-12-12-12--x-12-12-12-x-12-12-12-| --x-12-12-12-x-12-12-12--x-12-12-12-x-12-12-12-| --x-10-10-10-x-10-10-10--x-10-10-10-x-10-10-10-| -----------------------------------------------|
S S S S S S S S S S S S S S S S -----------------------------------------------|| -----------------------------------------------|| --x-12-12-12-x-12-12-12--x-12-12-12-x-12-12-12-|| --x-12-12-12-x-12-12-12--x-12-12-12-x-12-12-12-|| --x-10-10-10-x-10-10-10--x-10-10-10-x-10-10-10-|| -----------------------------------------------||
Verse II
Verse II: Guitar II
Samaya ajhai
S S S S S S S S S S S S S S S ------------------------------------------------ -----12-------12-------12-------12-------12----- --------12-------12-------12-------12---------12 --10-------10-------10-------10-------10-------- ------------------------------------------------ ------------------------------------------------
Bitey pani Kina
S S S S S S S S S S S S S S S S --------------------------------------------------------------| --------12-------------12-------12-------12----------12-------| -----------12-------------12-------12-------12----------12----| --10----------10-------------10-------10-------10----------10-| --------------------------------------------------------------| --------------------------------------------------------------|
S S S S S S S S S S S S S S S S -------------------------------------------------------| ----------12-------12-------12-------13-------12-------| -------------12-------12-------12-------12-------12----| --10------------10-------10-------10-------10-------10-| -------------------------------------------------------| -------------------------------------------------------|
Birsana garo bho
S S S S S S S S S S S S S S S S ------------------------------------------------------------------| ---------------------12-------12-------12-------12-------12-------| ------------------------12-------12-------12-------12-------12----| --10-----------------------10-------10-------10-------10-------10-| ------------------------------------------------------------------| ------------------------------------------------------------------|
Ti chhayn haru…… ajhai
S S S S S S S S S S S S S S S S --------------------------------------------------| -----12-------12-------12-------12-------12-------| --------12-------12-------12-------12-------12----| --10-------10-------10-------10-------10-------10-| --------------------------------------------------| --------------------------------------------------|
Jhajhalko ma…
S S S S S S S S S S S S S S S S --------------------------------------------------| -----12-------12-------12-------13-------12-------| --------12-------12-------12-------12-------12----| --10-------10-------10-------10-------10-------10-| --------------------------------------------------| --------------------------------------------------|
S S S S S S S S S S S S S S S S --------------------------------------------------|| -----12-------12-------12-------13-------12-------|| --------12-------12-------12-------12-------12----|| --10-------10-------10-------10-------10-------10-|| --------------------------------------------------|| --------------------------------------------------||
Chorus II: Guitar I
Repeat *2
Aai rahechhan mero samakchhya kina Aaja … bhanana
E. E E S E. E E S W W ||------------------------------|-------------------|-------------------| ||------------------------------|-------------------|-------------------| ||--------------12--------------|-------------------|-------------------| ||--12------12----------------9-|--8----------------|--7----------------| ||--10---9---------10------9----|--8----------------|--7----------------| ||-----------------10---9-------|--8----------------|--7----------------|
S S S S S S S S S S S S S S S S -----------------------------------------------| -----------------------------------------------| --x-12-12-12-x-12-12-12--x-12-12-12-x-12-12-12-| --x-12-12-12-x-12-12-12--x-12-12-12-x-12-12-12-| --x-10-10-10-x-10-10-10--x-10-10-10-x-10-10-10-| -----------------------------------------------|
S S S S S S S S S S S S S S S S -----------------------------------------------|| -----------------------------------------------|| --x-12-12-12-x-12-12-12--x-12-12-12-x-12-12-12-|| --x-12-12-12-x-12-12-12--x-12-12-12-x-12-12-12-|| --x-10-10-10-x-10-10-10--x-10-10-10-x-10-10-10-|| -----------------------------------------------||
Guitar Solo: Guitar I
Q E S Q. S S S H S S S S S S S S ----------------------------|----------------------------------| ----------------------------|----------------------------------| ----------------------------|----------------------------------| --\9----Lb--7-7------\9-7-9-|----------------------------------| ----------------------------|--/7~----------7s-5s-4s-5-7s-5s-4-| ----------------------------|----------------------------------|
E. E S S Q. E. E Q. S S S S S S S S -------------------------------|---------------------------------------| -------------------------------|---------------------------------------| -------------------------/11---|--11br--9~------/L-9s-7s-6s-7s-9s-7s-6-| --9s~----Ls--11-9-7------------|---------------------------------------| -------------------------------|---------------------------------------| -------------------------------|---------------------------------------|
E. E E S Q E S S
---------------------------------------|
--10b~---L--12br--10-10----/12--10s-12-|
---------------------------------------|
---------------------------------------|
---------------------------------------|
---------------------------------------|
E E Q S S S Q S -----------------------------------------| --/14~--14--14br----12-10-12s-14~----14s-| -----------------------------------------| -----------------------------------------| -----------------------------------------| -----------------------------------------|
S S S S S S E S S S E S E --------------------------------------------| --17-17-15-15---15s-19--19-17-17-17--17-19--| --------------------------------------------| --------------------------------------------| --------------------------------------------| --------------------------------------------|
E Q E. S S S S S S S -----------------------------------------------| --19br~--17----17---17s-15s-14s-15s-17s-15s-14-| -----------------------------------------------| -----------------------------------------------| -----------------------------------------------| -----------------------------------------------|
Guitar II While Playing Solo
^ ^ ^ H H W |--------------------|-------------------| |--------------------|-------------------| |--4--------2--------|--9----------------| |--2--------2--------|--7----------------| |--------------------|--7----------------| |--5--------4--------|--7----------------|
^ ^ ^ ^ ^ H H W H H --------------------|-------------------|--------------------| --------------------|-------------------|--------------------| --4--------2--------|--9----------------|--4--------2--------| --2--------2--------|--7----------------|--2--------2--------| --------------------|--7----------------|--------------------| --5--------4--------|--7----------------|--5--------4--------|
^ ^ ^ ^ W H H W -------------------|--------------------|-------------------| -------------------|--------------------|-------------------| --9----------------|--4--------2--------|--9----------------| --7----------------|--2--------2--------|--7----------------| --7----------------|--------------------|--7----------------| --7----------------|--5--------4--------|--7----------------|
Guitar Break w/ Echo
E Q H T S. H H -------------------------|--------------------| -------------------------|--------------------| -------------------------|--------------------| --/5--5-------------4-5--|--4-----------------| -------------------------|--------------------| -------------------------|--------------------|
Q. H T S. H H ------------------------|--------------------| ------------------------|--------------------| ------------------------|--------------------| --/5---------------4-5--|--4-----------------| ------------------------|--------------------| ------------------------|--------------------|
Riff before final Chorus
PM PM PM PM PM PM PM PM PM PM S S S S S S S S S S S S S S S S --------------------------------------------| ----------------5-------8-------5-----------| --------7-------------------------------7---| --5--5----5--5----5--5----5--5----5--5----5-| --------------------------------------------| --------------------------------------------|
PM PM PM PM PM PM PM PM S S S S S S S S S S S S S S S S ------------------------------------------| ----------------5------7------5-----------| --------7---------7------7------7----7----| --4--4----4--4------4------4------4----4--| ------------------------------------------| ------------------------------------------|
PM PM PM PM PM PM PM PM PM PM S S S S S S S S S S S S S S S S --------------------------------------------| ----------------5-------8-------5-----------| --------7-------------------------------7---| --5--5----5--5----5--5----5--5----5--5----5-| --------------------------------------------| --------------------------------------------|
PM PM PM PM PM PM PM S S S S S S S S S S S S S S S S -----------------------------------------|| ----------------5------7------5----------|| --------7---------7------7------7----7-7-|| --4--4----4--4------4------4------4------|| -----------------------------------------|| -----------------------------------------||
I decided to do some four levels on the chapters from English II, Second Semester, BBA, TU, as I received several requests to post more of ’em, and I liked to save some of my old notes! So here’s one for you young boys and girls: Analysis or Four Levels of Metaphors by Sylvia Plath. (FYI: She committed suicide baking her head inside the oven. Sick!) Thank me later!
Four Levels of Metaphors by Sylvia Plath
1. Literal Comprehension (Summary)
The beginning of the poem is somewhat playful and even exciting. The speaker is a pregnant woman and she takes herself as a mystery as she has no idea about the baby inside her womb, say its sex, color, hereditary characteristics, and bunch others. She calls herself an elephant as she has become big and round. She compares herself to a ponderous house, filled with a baby or some activities. She regards herself as a melon, and her two legs the tendrils. She considers the baby residing inside her belly as precious as ivory and hopes for the good of the unborn baby.
The state of the poem then changes to that of doubt and gloom. She calls her baby a loaf that seems to be rising because of the yeast. Likewise, she feels herself as a fat purse, with newly minted money inside as the baby, which will be new to the world when born. Then the mood of the poem shifts to extreme desperation and a lot of negativity. She feels that she is just a means for the baby to come through into the world. She is a stage. She admits that she has eaten a bag of green apples. The poem ends dramatically stating that there is no turning back now from this state of pregnancy.
2. Interpretation
The poem seems to have a very negative connotation in aggregate. Plath has used metaphorical language (maybe she is a lady version of Eminem) and a poem with nine sentences with nine syllables, each to symbolize the entire nine months of pregnancy. This implies that it takes nine months after conception for a baby to be born. The thought of a melon strolling on two tendrils can be closely associated with the pregnancy as the structure of pair of fallopian tubes, where the baby develops in one of them, unless of course, you are expecting twins, triplets, or even quadruplets.
Her plight of being a stage where a performance is taking place hints that she fears of being deserted (or forgotten) after it is over. The bag of green apples shows biblical reference: Forbidden fruit to Adam and Eve (First they were naked, and everything went wrong then after). Also the green apples may symbolize unripened or the feelings of the speaker as not being ready for the pregnancy. She is going to lose her freedom.
3. Critical Thinking
I must say, the ability of Plath to describe the entire period of pregnancy using metaphors and limiting the poem in just nine sentences is just f***!ng awesome (Uh oh, what did I write!?) But she ain’t no God (I am beginning to sound like a nigga). Her poem is not free from loopholes. Irrespective to the time when this poem was composed, nowadays the modern technology has enabled us to disclose the gender of the baby inside the womb. Plus, she has overlooked the exceptional cases of pregnancy like giving birth to baby in less (or more) than nine months. The speaker isn’t clear about the number of children she had given birth to. Is it her first pregnancy or she is used to it? Is she a single mother?
Comparing the unborn baby with loaf and dough (money) is inhumane. The latter of these two comparisons reveal the intention of the speaker behind giving birth to the baby, i.e. He or she will support her financially in the future. Besides, if she is unhappy with being pregnant, it’s her own fault. She should have thought of it beforehand (or before s€x). It will have been better if she has used contraceptive while having intercourse with the to-be-daddy of the to-be-born-baby.
Still after the conception, she can get an abortion, provided that it is legal to have one. So technically, this poem seems to be anachronous. Plath seems to concentrate on the symptoms and things that happened to her during the pregnancy rather than the fact that she is bringing another life into the world.
4. Assimilation
After reading this poem, I “asked” Google about Sylvia Plath. I came to know that she committed suicide, baking her own head inside the burning hot oven till death (Wow, that’s daring). Well, what I learned from this poem is obvious, isn’t it? Now I know that what it feels like to be pregnant and walk around with a baby inside… psychologically though, not physiologically. I came to know that it actually takes nine months for a baby to be born. The pregnant women like to eat sour things to overcome morning sickness. I feel pity for the destiny of pregnant women that they will be forgotten and will lose their after giving birth to the baby. One thing after reading this poem… I am proud to be a man! No offense!
That’s it!
But before you go, if you are having a hard time getting control of your life, you should kick start your life again. Don’t be a rat. The problem with the rat race is that even if you win the race, you’ll still be a rat. Read an inspirational article here: Quit that Rat Race!
Before we get started with this mesmerizing second guitar solo for Sano Prakash by Atomic Bush, let’s agree on something. ‘Sano Prakash’ is undoubtedly the Rock Anthem in Nepali Music. The song is equipped is almost all guitar techniques. If you are looking to hone your guitar skills, then trying to master ‘Sano Prakash’ can be worth the time and effort.
By the way, what actually happened with ‘Atomic Bush’ band? What are they doing now? Are they getting back together? Find out here!
NEW UPDATE on Atomic Bush!
Atomic Bush is definitely getting back together, this time for sure. They are working on the comeback album, and Bibhushan Basnet even played a few lines from the song “Jhilimili” as treat to the fans. Need a Proof? Thank me later!
I encoded this guitar tabs for ‘Sano Prakash’ second solo/lead with reference from the You Tube Video Lesson by Pranil Rai. For easier progression on this solo, it’s better to refer to his video simultaneously.
I know you are getting restless to start shredding the legendary ‘Sano Prakash’ solo. Let’s get started…
Points to Consider:
# Memorize C#m Pentatonic Scale (Most of the notes move around this scale at 9-12th fret)
# Make your finger ‘TAP’ ready. There are lots of tapping (and sliding and vibrato).
